It breaks the art of storytelling down into its most basic components—conflict, character, plot, climax, etc.
To be fair, Tarantino never really steals anything. He takes a story or genre he loves and then completely molds it into his own, often times improving on the original work. He takes the best of foreign film, spaghetti westerns, and crime, and then injects his brand of dialogue and view of the world and somehow something completely original comes out.
And ironically, no one can tell a story with such an original voice like Tarantino. Tarantino has almost raised this true-life element to an art form.
When coming up with dialogue for your characters, say the lines out loud. Your dialogue should have a certain cadence like a drum beat and your characters should never explain the plot or exposition. Find other creative ways to infuse this information. Tarantino has taken this philosophy to heart in many of his films.
The characters plan the heist, the heist falls apart, and eventually the cops show up to take everyone down. This type of story has been told in a million cop shows and movies.
How does he do this? For starters, he flips the standard three-act structure on its head by telling the story out of order and in retrospect.
Just about every story has been told. Assuming that premise to be true, what becomes important is not the destination but the journey along the way.
Instead of attempting to write a feature film based on a past break up or death in the family, try your hand at your favorite genre and inject your personal story into the fold.
This will add a hidden dimension to the story that will hopefully make your script stand out. Almost every movie Tarantino has written or directed falls into a standard genre. The originality comes from personalizing the characters to make them real human beings.
Quentin Tarantino: How to Write a Screenplay. By Cameron Cubbison January 14, Screenwriting (and each screenplay) like the page of a novel is good advice for both beginner and advanced screenwriters. Tarantino's advice is perfect in that it can help reel us back into the page and focus on the bones of the story. 7 Effective Ways to Give Your Characters Unique Voices. By Ken Miyamoto October 25, Blog, Watch Quentin Tarantino discuss the opening of Paul Thomas Anderson’s There Will Be Blood. Screenwriting Wisdom from Today’s Women in Hollywood;. 7 Effective Ways to Give Your Characters Unique Voices. By Ken Miyamoto October 25, Blog, or you can utilize screenwriting software — or a black sharpie for hard copies — to take those names out. Watch Quentin Tarantino discuss the opening of Paul Thomas Anderson’s There Will Be Blood.
Think about your personal life. Life is never one thing and the stories you tell should reflect all these aspects if you want to attempt to capture even a glimmer of real life.Feb 24, · Stranded by a blizzard in the wilds of post-Civil War Wyoming, a posse of Quentin Tarantino alumni convenes at a remote cabin for a murderous reunion party.
People who want to submit spec scripts should know how to play by the rules and recognize they are not Quentin Tarantino or Kevin Smith.
Script Magazine Archives; Reviews. Scriptwriting Software Reviews; Screenwriting Book and DVD Reviews; One thought on “ Alt Script: You Are Not Tarantino or Kevin Smith ”. Quentin Tarantino's untitled project moves to Sony Pictures in a deal that was finalized late Thursday night. The film is expected in Jul 06, · Young Quentin Tarantino speaks on Writing.
Skip navigation Young Quentin Tarantino on Writing FN RED. 3 Mistakes Screenwriters Make In Act 1 That Ruin A Screenplay by Michael Hauge. 3. INGLOURIOUS BASTARDS () Screenplay by Quentin Tarantino Directed by Quentin Tarantino.
An epic war script with a over-the-top characters and number of memorable rants, INGLOURIOUS BASTARDS was nominated for a BAFTA and an Oscar for Best Original Screenplay..
Read the screenplay! Quentin Tarantino Screenplays What can be said about Quentin Tarantino the screenwriter that hasn't been said before?
QT has, easily, one of the most unique and singular voice in the history of cinema. You may love him. Screenplay by Quentin Tarantino.